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Versatile Seismic Sink Stand
The Versatile Seismic Sink
Stand is the latest vibration isolation equipment support by Townshend
Audio. Based on the award-winning Seismic Sink Stand, first introduced in
1996, VSSS sets a new level of performance, style, and practicality. The
concept of the Seismic Sink Stand was derived from that of the original
Seismic Sink, which showed the hi-fi world how absolutely vital it is to
thoroughly isolate all source components from ground-borne vibration.
Our extensive research, and
that of others, revealed that the most prominent vibrations in the earth's
surface lie in the lateral plane (i.e., side-to-side), and are strongest
within the frequency range of 3Hz to 80Hz, decreasing gently to 150Hz, and
(in some instances) present up to 550Hz. Vibrations are caused by natural
phenomena (wind, tide, waves, and distant earthquakes) and by myriad human
activities such as traffic, pumps, compressors, trains, elevators, large
crowds—and, of course, your hi-fi! These vibrations, though small, couple
from the ground to the floor through the equipment support legs, and from
there to the shelves upon which the audio equipment sits. They affect record
players directly. With a CD player, especially a high-resolution SACD and/or
DVD-Audio player, vibrations cause the laser to vibrate, introducing serious
sound-degrading jitter. In a vacuum tube amplifier, vibrations rattle the
microphonic tube electrodes, especially the grids, degrading the delicate
audio signal. Ceramic components are piezoelectric, PVC is microphonic, PCB
conductors and connecting wires can move relative to one another, and all
have an insidious effect. Reproduced sound becomes closed-in, grainy,
indistinct, edgy, hard, sibilant and blurred. The soundstage is decreased,
and subtle reverberant detail in recordings is masked. The amount of
vibration varies from day to day, hour to hour, and from place to place.
Have you ever noticed how much better your sound is late at night, when all
is quiet? This is not simply due to decreased radio frequency interference
or dirty AC power, as is commonly thought, but to the reduction in vibration
due to the lack of human activity at night, plus the calm wind conditions
during the hours of darkness.
Designed to be 100 per cent
maintenance-free and manufactured to the highest standards, the Versatile
Seismic Sink Stand is designed to last for more than a lifetime. Four
maintenance-free, dual-tensioned polymer load cells at each corner, in
conjunction with the mass of the stand (plus equipment), form a stable,
suspended mass/spring low-pass filter with an attenuation of about 20dB per
decade above 2Hz. This ensures that deleterious ground-borne vibrations from
4Hz and above are virtually eliminated. Isolating audio/video components
from vibration increases fidelity and imparts an openness and clarity to the
sound, with gains in focus and solidity of image that a non-suspended stand
simply cannot approach.
The positioning of shelves
in the Versatile Seismic Sink Stand is infinitely adjustable, to accommodate
the varying heights of components. Shelves can be added or removed without
dismantling the stand, and because the Versatile Seismic Sink Stand is on
level-adjustable “glides” rather than permanently spiked to the floor, it
can easily be moved around. Because the Versatile Seismic Sink Stand breaks
the coupling between floor and the equipment at very low frequencies, it
eliminates the common footfall problems associated with suspended wooden
floors, and is essential if you are coupling your loudspeakers rigidly to
the floor.
Many anti-vibration devices
are now marketed, ranging from virtually ineffective spikes and cones to
rigid or floppy, light- or heavyweight platforms and tables to
vibration-absorbing polymers. These devices have an audible effect that is
sometimes beneficial and sometimes deleterious. They do NOT, however,
address the problem rationally. Engineering science tells us that a properly
designed isolating equipment support should be a mechanical low-pass filter.
Such a filter must comprise a mass supported by a suitable spring arranged
to resonate, or bounce, at a frequency below that which needs to be blocked.
The lowest frequency to be attenuated is 3Hz, which means that the
mass/spring combination should resonate at about 0.5Hz. A moment's thought
will show that common rigid supports such as spiked platforms, with resonant
frequencies around 80 to 150Hz and higher, come nowhere near this ideal, as
they are amplifying vibration within the audio band.
The proof is in the
listening. A whole new layer of fine detail is revealed that was previously
masked by the effects of noise. Whether you play LPs, CDs, SACDs, DVD-Video
discs, or DVD Audio discs, whether your amplification uses tubes or solid
state, whether your sources are digital or analog, the results are always
the same. So convincing is the effect that we have coined the phrase "The
one-note dem" to describe the phenomenon. It only takes an instant for all
to hear the improvements—first time, every time. The improvements are not
subtle! If your goal is better sound, a Versatile Seismic Sink Stand must be
your next purchase. You probably have a great system already, and don't know
it!
There are three standard
widths of Versatile Seismic Sink Stand: Size 1 for 17-inch components, Size
2 for 19- to 20-inch components, Size 3 for 22-inch components. Versatile
Seismic Sink Stands are made to order, and the height of the top shelf can
be 9 inches to 43 inches. The maximum weight that may be safely handled by
the standard Versatile Seismic Sink Stand is 180 pounds. The best
performance is achieved when the load is as close to the maximum as
possible—the higher the load, the lower the resonant frequency. Special
custom-width and depth stands can be made to accommodate any audio/video
components.
The Versatile Seismic Sink
Stand employs the “machine clamp” principle to hold the glass shelves, which
can accommodate a wide range of thicknesses. The minimum recommended
thickness for the shelves (not supplied with stands sold in the U.S.) is
¼-inch. Shelves intended for heavier components can be thicker as desired.
Although air-borne vibration and vibration generated by the audio/video
components is dissipated by the constrained-layer-damping design of the
clamps securing the shelves, listening tests have shown that thicker glass
further improves sound quality. Consequently, the Versatile Seismic Sink
Stand is the ideal choice of equipment rack for serious audiophiles, who can
experiment with different thicknesses, and with shelf materials of their own
design and construction.
Don’t take our word for it.
Hi-Fi Choice (November 2005) responded to the Versatile Seismic Sink
Stand as follows: “Place a product on the Versatile Seismic Sink Stand and
you can instantly hear the change…. The bass on any 'sunk' product is both
tighter and deeper, the integration across the frequency range is better and
the overall coherence of the sound is transformed…. How this presents itself
is by sorting out the soundstage, bringing new depth and height to the image
and considerably more space around the instruments. Even lo-fi recordings
just sound like they have been remastered for the better. This is an
exceptionally neutral presentation, showing exactly what your electronics
are capable of. In the 1990s the Seismic Sink set a reference point for
equipment support. Now, a decade later, Townshend Audio is setting standards
once again."
Seismic Sink Stands are
made to order. Total stand height must be specified.
Glass shelves are not provided.
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MODEL |
NO.
OF SHELVES |
SHELF WIDTH |
RETAIL
PRICE |
| 1-2 |
2 |
17" |
$1995 |
| 1-3 |
3 |
17" |
$2295 |
| 1-4 |
4 |
17" |
$2595 |
| 1-5 |
5 |
17" |
$2795 |
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1-6 |
6 |
17" |
$3095 |
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1-7 |
7 |
17" |
$3395 |
| 2-2 |
2 |
20" |
$2095 |
| 2-3 |
3 |
20" |
$2395 |
| 2-4 |
4 |
20" |
$2695 |
| 2-5 |
5 |
20" |
$2895 |
| 2-6 |
6 |
20" |
$3195 |
| 2-7 |
7 |
20" |
$3495 |
| 3-2 |
2 |
22" |
$2195 |
| 3-3 |
3 |
22" |
$2495 |
| 3-4 |
4 |
22" |
$2795 |
| 3-5 |
5 |
22" |
$2995 |
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3-6 |
6 |
22" |
$3295 |
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3-7 |
7 |
22" |
$3295 |
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Maximum Super Tweeter

The Townshend Audio MAXIMUM
Ribbon Super Tweeter is designed to extend the response of conventional
loudspeakers to 100kHz. Adding the Super Tweeter to your audio system allows
you to experience the advantage of the extended frequency response delivered
by the new digital audio formats (DVD-A, DVD-V containing 96/24 stereo PCM
audio, and SACD) and to fully utilise the 30kHz-plus frequency response
previously only available from high-quality vinyl reproduction. Another
bonus is that CDs, as well as Dolby Digital and DTS compressed digital audio
formats, are also greatly enhanced.
Just as the subwoofer fills
in the bottom end, the Maximum Super Tweeter fills in the top end. It makes
the music much more real! All Instruments - even double basses - take on an
extra clarity that is neither bright nor brash. In fact, the sound is both
clearer and smoother. The really surprising thing is that when the tweeters
are played alone, one can barely hear a thing. Remarkably, however, all
listeners - even, for example, those having no sine wave sensitivity above
10kHz – experience the same enhancement when the Super Tweeters are engaged.
Super Twetter users describe the sound of their audio systems as more
natural and more comfortable to listen to.
Embodying super-powerful
neodymium magnets and an ultra thin (eight micron) pure aluminium ribbon,
the Super Tweeter offers outstanding performance in an easy to drive,
compact package. The low frequency -3dB point of the first-order crossover
is 20kHz. Output may be set to suit speakers with sensitivities from 80dB to
110dB, adjusted in steps by an eight-position switch on the rear. The
correct setting is easily found by trial and error. Input connectors are 4mm
banana sockets. All copper conductors, including the matching transformer
windings and the aluminium ribbon, are deep cryogenically treated (DCT) for
unrivalled fidelity. Pressure relief vents in the sides of the case are
provided to allow the air pressure on the ribbon to equalize in the event of
sudden pressure changes.
The Super Tweeter may be
connected directly across the output of amplifiers up to 350W. An
automatically resetting fuse prevents ribbon damage in the event of
overload. The Super Tweeters are best placed centrally on top of existing
speakers. The supplied DCT 1.5m cables are connected to the main speakers'
tweeter terminals or directly across the power amplifier. "Piggy back"
banana connectors are provided to facilitate connection.
Specifications:
Frequency response: 20kHz to
70kHz, -3dB/12kHz to 90kHz, -6dB Sensitivity: Adjustable to suit speakers
with sensitivity from 80dB to 110dB
Impedance: 6R, 20kHz/30R, 100kHz. Power rating: 350W+ Dimensions: 50mm (W),
30mm (H), 100mm (D) Case: Stainless steel (mirror or titanium finish)
$1500 per pair
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Isolda Interconnect Cable

All
audio cables are adversely affected by the insulating material ("dielectri"’)
in which they are sheathed to prevent short circuits. The best insulator
of all for an audio cable is a vacuum, but of course this is
impractical. Next best is air, followed by PTFE, polyester, and
polyethylene. PVC, the most widely-used cable covering, is one of the
worst-performing dielectric materials. To reduce the influence of the
dielectric to a bare minimum, Isolda Deep Cryogenic Interconnect Cable
uses a novel form of construction in which 3x0.1mm copper strip
conductors are threaded through 3mm internal diameter PTFE
tubing. Because the copper strip only touches the inside of the tube
along its edges, the effective dielectric is about 95 per cent air, 5
per cent PTFE–a major improvement over conventional cable construction
where the insulation is moulded around the conductor.
Two
of these threaded tubes are laid side by side and then enclosed in a
tough polyester braid to form the complete cable. Use of a flat strip
conductor minimises series inductance, while the wide spacing of the
conductors minimises shunt capacitance, so the cable imposes negligible
filtering on the audio signal, whatever the output impedance of the
signal source. As a result of this thoughtful construction, Isolda
Interconnect has a uniquely "hear through" sound quality, devoid of the
fuzziness, tonal imbalances, and graininess which afflict other
interconnect cables. But we’ve now found a way of making it even better!
As with the Isolda Deep Cryogenic Loudspeaker Cable, the copper strip
conductors are subject to deep cryogenic treatment and post-tempering
prior to being assembled into the finished cable. The copper is slowly
cooled to about -190 degrees Celsius, held there for a number of hours,
and gradually returned to room temperature. Then it is warmed to 150C
before final slow cooling–an important extra step that can only be
applied to bare copper. Normal insulation would melt at this
temperature, so finished cables cannot be treated this way. DCT is
proven to improve the lattice structure of copper, eliminating small
"dislocations," and has an amazing effect on the cable’s final sound.
Dynamics are improved, clarity is further enhanced, and the sound takes
on a difficult to describe but immediately recognizable naturalness that
untreated cables cannot match.
Because the use of a shield has a negative effect on sound quality,
Isolda Interconnect is supplied unshielded as standard, but with a
ferrite sleeve at one end. In most hi-fi systems, the source impedance
will be low enough to prevent hum induction, and the ferrite (positioned
at the "receive" end of the cable) will be sufficient to suppress RFI. A
shielded version is available for situations in which hum fields and/or
RFI are an particularly severe problem. Where the source impedance is
unusually high–which is sometimes the case with valve preamps, and
always the case with passive preamps–use of the ferrite can cause a
dulling of the sound. In this instance a smaller ferrite can be
specified or no ferrite fitted at all. A balanced version of the cable,
terminated with XLRs, is available for balanced
interconnections. Unbalanced cables are terminated with the highest
quality Neutrik ProFi phono plugs. These feature heavy gold-plated
contact surfaces where ground contact is made before signal and break
signal is made before ground. Isolda Deep Cryogenic Interconnect Cable
can be ordered in any length up to a maximum of 32 feet.
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LENGTH
(meters) |
RETAIL
PRICE |
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LENGTH
(meters) |
RETAIL
PRICE |
RCA |
0.75 |
$450 |
XLR |
0.75 |
$550 |
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1 |
$550 |
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1 |
$650 |
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2 |
$650 |
|
2 |
$750 |
|
3 |
$800 |
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3 |
$900 |
|
4 |
$950 |
|
4 |
$1050 |
|
5 |
$1100 |
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5 |
$1200 |
Isolda Loudspeaker
Cable

Wherever electronic signals are transmitted by wire, be it telephone,
video, digital data, radio, or TV, the impedance (NOT resistance) of the
interconnecting cable is ALWAYS matched to either the source or the
load, to prevent distortion. In the case of hi-fi, the most important
link of all is the speaker cable–and it is here that this rule is
completely ignored. The result is a grossly mismatched connection, with
the mismatch being typically twenty-to-one, as most speakers have a
nominal impedance of about eight ohms and typical cables a
characteristic impedance between 100 ohms and 400 ohms. No wonder
speaker cables sound wrong! Townshend Audio Isolda Impedance
Matched Loudspeaker Cable, which has a characteristic impedance of eight
ohms, remedies this.
To
achieve an impedance match at such low impedance values, the cable must
exhibit very low inductance and high capacitance. It is well known that
high capacitance upsets some amplifiers, which become unstable. To
counteract this, a correctly engineered, inaudible inductor, in parallel
with a damping resistor, is inserted in series with each leg of the
cable at the amplifier end. The two inductors also act as a filter to
prevent radio frequency interference (RFI), present in abundance at the
end of the cable, from passing to the circuitry of the amplifier. The
very close spacing of the conductors in the cable also provides a
further level of RF rejection. The result is black silence.
What
happens when the impedance between the cable and the speaker is closely
matched? The sound is fast but not bright; it is clear, open,
fatigue-free and grain-free. Bass notes are precisely defined, deep and
tuneful, with amazing impact. The midband takes on a naturalness never
before heard from reproduced sound. The treble is smooth and fast, with
both brilliance and sparkle, but the cables never sound bright, brittle,
grainy or spitty. They just sound "right."
These inherent Isolda characteristics have now been further enhanced by
subjecting the copper conductors to deep cryogenic treatment (DCT) and
post-tempering prior to assembly. The copper is slowly cooled to about
-190 degrees Celsius, held there for a number of hours, and gradually
returned to room temperature. Then it is warmed to 150C before final
slow cooling–an important extra step that can only be applied to bare
copper. Normal insulation would melt at this temperature, so finished
cables cannot be treated this way. DCT is proven to improve the
lattice structure of copper, eliminating small "dislocations," and has
an amazing effect on the cable’s final sound. Dynamics are improved,
clarity is further enhanced and the sound takes on a difficult to
describe but immediately recognizable naturalness that untreated cables
cannot match.
Construction of the Isolda Loudspeaker Cable is both attractive and
practical. The two flat conductors and their proprietary insulation are
sheathed in a hard-wearing polyester braid, terminated at each end with
non-magnetic stainless steel cylinders. These enclose the cable
transition as well as the inductors at the amplifier end. Flexible, PTFE-insulated,
silver-plated copper wire tails connect to banana, spade, BFA, or
Speakon connectors to complete the cable. The strip
conductors are arranged to slide over each other, through the braid and
through the cylinders, to minimise buckling when coiling the cable. It
can be laid under carpet and folded at right angles. It must not,
however, be walked upon.
Isolda Loudspeaker Cable is sold in pre-terminated lengths. As the
cables are impedance matched, the sound does not change with length, so
unequal runs may be used for each channel. Bi- or tri-wiring makes a
significant improvement with suitably equipped loudspeakers.
Isolda Loudspeaker Cable is sold directly by Townshend U.K. Contact us for prices and ordering information |
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